Alankars bansuri – Download as Word Doc .doc /.docx), PDF File .pdf), Text File .txt) or read online. Phone (03) Mobile email: [email protected]; [email protected] ALANKAR CONTINUED. 8. SA MA – RE PA – GA DHA – MA. Here I explain and demonstrate some of the techniques used on the bansuri to make the music sound more beautiful. I have included some videos to.

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Learn To Play Bansuri: Alankars ()

You can vary the amount of times you break the note. Convention used in this table is to denote notes in lower octave with a comma i.

In other words, he alankafs and renders the raga at the same time. For Aaroh i will use ‘Aa’ and for Avroh i will use ‘Av’. Notes in the middle octave are simply represented by the letter itself i.

Andrew Ktori 21 April at You might think that its not important or you might even ignore it, thats why i am telling you that please say the surs in you mind while you are playing on the flute alongside. While wlankars, please say the surs in your mind also.

As you get comfortable in playing the combination in fast tempo, you can increase the speed further till you can really play it well in fastest possible tempo. You will see that the sound changes slightly depending on bansufi consonant, giving it a different effect each time.


I have ‘A’ scale flute and I found bbansuri more difficulty while playing ‘ma’ to ‘pa’ at a continuous blow or while going from ‘ma’to ‘pa’ continuously. The end result sounds like a complex taan pattern with sharp gamaks. In the starting days you’ll also feel some dizziness if you practice for long periods.

Alankaras for Bansuri | Flute Bansuri-Official Site

First is Aaroh Ascending and second Avroh descending. Your time learning the instrument will increase. For example, if you play for example the note SA SA SA so three times the same note you could do this by blowing and stopping the air flow three times, however, your music will sound much better if you banzuri tonguing.

Bansuri Player 15 March at In short what bracket means. A murki is a cluster alankras usually notes played around a main note to make it sound more beautiful.

Another way to mix these is to make them little more complex i. Log in with Facebook. Unknown 21 October at In other words, these are musical ornaments created to decorate a scale or a raga.

Basic rules of weight training are to start with simple exercises with light weights.

You should initially take time to think through the pattern and the articulate them. In the long run it will be very helpful to you. Unknown 31 March at I have made a video to demonstrate this below. Basically the difference between khatka and zamzama is that khatka only hits notes, whereas Zamzamas continue up and down the scale.


Thank you for this daily practice.

Practicing Scales

Raj kishor jha 2 October at Coming up with pattern and articulating it on the fly is an important part of Hindustani music.

Sir if you play Ma in lower octave and then suddenly play higher octave Pa then you phase much less problem and after sometime you will play properly A grace note is when you play a note for a very short time compared with other notes – it is a flicker of that note. All leading Hindustani musicians would tell you how they spent long hours practicing Alankaars. So always be in touch of this instrument.

By doing this, you touch upon microtones between notes. This alankar should be first practiced time initially and before you start any session this can be used for warm up.

Keshav Jha 13 March bansyri