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Carcassi Study in A minor Op. 60 no. 7

There is something very exciting about the driving harmonic rhythm and the moto perpetuo writing for carcasi right hand. In general I would recommend using pami as indicated in the score and for the arpeggios, use either pimi, or piai.

The piece is primarily in the key of A minor. Sometimes the bass has the melody which is most often played by the thumb ehude sometimes the melody is in the upper voice played by ami.

Intermediate Lesson — Carcassi Etude 7 Op. Some of the cacassi fingerings are unconventional, but when I was young I played lots of folk music, and these are the fingerings I used for chords, thus I could find them quicker. Also it is important to give all of the bass notes their full duration throughout the piece.

Start slow and try to get the right hand working evenly. Make sure you know what voice is the most important at any given time so you can bring it out strongly.

Carcassi Study in A minor Op. 60 no. 7 sheet music for Guitar download free in PDF or MIDI

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Choose where you want to share: Originally, the repeated notes found throughout the study were meant to be played by i and m which would create groups of pimi, pimi etc. In bars 1, 5, 9,21, 25 and 26 we have groups of four semiquavers with the first note note played by the thumb stems down followed by the same higher note played three times by the fingers. Carcassi Study, bar 2, alternative fingering Also if you use your third rather than second finger for the last two As in the bar 14th and 16th semiquavers you’ll find this sets you up nicely for bars 3 and 4.


Your download has started. Each of these four bar phrases are in sentential structure as in a sentence, like we use in writing This structure simply consists of a 1 measure idea, followed by another 1 measure continuation then resolved by a 2 measure conclusion. I omit all zeroes for open strings.

Intermediate Lesson – Carcassi Etude 7 Op.60

Throughout the piece there is an interplay between the upper and lower voices. Give a small token of appreciation! Here’s the obvious fingering for this bar: Link to this page Embed on your site. In the second section, the even division of phrases gets a bit less obvious, Carcassi has done this to create more excitement and less predictability carcawsi the music.

Carcassi, Study op 60 no 7 – Free Guitar Music

Pages 2 Duration I hope this lesson was helpful to you, and I hope you enjoy working on the piece. There carcasssi not too many demands on the left hand in this study, as it is predominantly a right hand study. I found that measure 25 is actually much easier to play using the same fingering, but without the barre on the second fret.


I’ll eventually be adding more study notes and an MP3 recording of this piece.

OK, I agree No, give me more info. The second section bar 9 onwards starts in the relative major key, C major, and makes its way back to A minor by the end of the piece.

This movement is most commonly associated with tremolo technique but it also helps balance the right hand as a whole and can be very good arpeggio training. Once you feel comfortable with the piece start cranking up the tempo to get this study really flying!

But because the following 3 higher notes now vary rather than repeat the same note three times, the suggested right hand fingering is: There is actually no point to it.

To print parts, please upgrade to a Pro account first. Finally, at the end of section 1 and section 2, I have made the d to e, a slide on the 2nd string, which is not how the piece is originally written.

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