El Contrapunto En La Composicion by Felix Salzer; Carl Schachter at AbeBooks. – ISBN – ISBN – Idea Books – El contrapunto en la composición: el estudio de la conducción de las voces. Front Cover. Felix Salzer, Carl Shachter. Idea Books, – Music – pages. El Contrapunto En La Composicion (English, Spanish, Paperback) / Author: Felix Salzer / Author: Carl Schachter ; ; Music, Arts & Architecture.

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Felix Salzer

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In addition to essays on music theory in cultural context, the book is dominated by one of Schenker’s most celebrated studies of a single work: This book really gives you good thought that will very influence for the readers future.

Volume Two contains a major essay on Mozart’s Symphony No. Your rating has been recorded. Find a copy in the library Finding libraries that hold this item Theexpression in this word releases the individual sensation to read and read this book again and back. Foreword by Leopold Mannes Introduction I 1.

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El Contrapunto En La Composicion

contrapknto The book concludes with an aphoristic and sometimes lyrical chapter on practicing. If you are a seller for this product, would you like to suggest updates through seller support? Withoutabox Submit to Film Festivals.


User lists with this item 1 mozart 6 items by pedroleen. Please verify that you are not a robot. Filled cojtrapunto concrete examples and numerous suggestions, the book will interest both music theorists and practicing performers.

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Get fast, free shipping with Amazon Prime. Tonal organization analyzes of over pieces. Not only this book entitled Contrapunto en la composicion, el Musica idea By Felix Salzer, Carl Shachteryou can also download other attractive online book in this website. Structure-form- Prolongation- form – Sqlzer and range of tonality – Various types of form and their use in composition – One-part or through-composed form – Two-part structure-form — Repetition of structure — Division of structure — Interruption – Two-part prolongation-form — The main prolongation as a form section — Segment cpmposicion main prolongation as a sazler section – Three-part forms — Three-part structure-form originating in interruption — Three-part prolongation-form originating in interruption — Genuine three-part prolongation-form slzer Three-part prolongation-form contrapuntual structure – Individual forms and the fantasy Epilogue Part III 1.

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The specific voice-leading component was a later development, progressing with brilliance over the last 15 years of his life. First published in German between andthese essays represent Schenker’s greatest writings in analysis prior to the definitive formulation of his theory of music in Der freie Satz Free Composition. This set, which is a standard work used in all important music schools, starts with basic definitions and simple examples, and trains the reader not only to hear successions of tones, melodic lines, and progressions of chords, but also to understand their structural coherence and significance.


Please enter composicino name. Please enter recipient e-mail address es. The specific requirements or preferences of your reviewing publisher, classroom teacher, institution or composciion should be applied. ComiXology Thousands of Digital Comics. Newer Post Older Post Home. It gives the readers good spirit. English Choose a language for shopping. Structure and Prolongation I – Contrapunctual chords of progressions within the harmonic framework – Passing chords- Voice-leading chords — Passing chords — Passing chords improving voice leading — Voice-leading chords — Summary and outlook – The chord of melodic emphasis or color conhrapunto – The neighbor-note chord – Chord prolongation summary – Application of chord prolongation – Structure and prolongation – Four-part setting of short melodic phrases – Melodic-contrapuntual prolongations – Elementary instrumental figuration – Motion into and out of the inner voice – Superposition of inner voice – Transfer of register – Prolonged counterpoint – Continued use of pure contrapuntual techiques – Recognition of voice leading – Voice-leading graphs as the systematic expression of structure and prolongation – Exercises in prolongation-Structural ear training – The technique of interruption IV.

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