KAPUSTIN SONATA PDF
Classical and Jazz Influences in the Music of Nikolai Kapustin: Piano Sonata No. Being himself a virtuoso pianist, Kapustin has written a large repertoire for. Some people seem to click instantly with the light-hearted jazz-classical fusion of Ukrainian Nikolai Kapustin. For me, I confess, it took a little while to appreciate. Kapustin’s first attempts at composition began with a piano sonata at the age of During his studies at the Moscow Conservatory Kapustin composed and.
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Gramophone products and those of specially selected partners from the world of music. The site is also available in several languages. Dasselbe kann man in jedem Fall auch bei Kapustin an jeder Sonataa seines Klavierwerkes sagen. In particular, the first three movements are played without a break, giving the impression of a constant stream of thought, a kapusitn structural approach that has numerous classical precedents including Beethoven, Liszt and Rachmaninov. Indeed, it is no exaggeration to say that no other pianist could approach Hamelin in such music.
Sonata for Piano No 1, Sonata-Fantasia.
Sonata No 1 ‘Sonata-Fantasia’, Op 39 composer. Sonata No 2, Op 54 composer. Whether you want to see what we think of today’s latest sonatz or discover what our critics thought of your favourite recordings from the past, you will find it all in our full-searchable Reviews Database. Some people seem to click instantly with the light-hearted jazz-classical fusion of Ukrainian Nikolai Kapustin.
Update Required To play the media you will need to either update your browser to a recent version or update kzpustin Flash plugin. For me, I confess, it took a little while to appreciate that Scriabinesque harmonies and Oscar Peterson-style figuration can be tossed around so casually without sounding merely like a novelty act.
Incidentally, this movement is usually thought to have been inspired by the pianism of Art Tatum, but this is because it is often performed too quickly. Please use the dropdown buttons to set your preferred options, or use the checkbox to accept the defaults. Outstanding performances by Steven Osborne. In both works, the composers seem intent on creating almost a narrative structure kapusti leads the listener inexorably towards the finale.
Hyperion offers both CDs, and downloads in a number of formats.
The brilliant and overwhelmingly energetic first movement is curiously but very effectively rounded out by a reflective and rather lengthy coda, in great contrast to the ebullience of what came before.
The same can unquestionably be said of Kapustin at any point within the body of his piano works. The actual tonality of A minor incidentally has been presaged by the central section of the second movement and even by the emphasis on A at the very start of the work.
There is, however, nothing at all traditional about the piano writing itself, which teems with interesting and innovative twists and turns, both stylistically and pianistically.
The second movement begins like the first: Hyperion offers both CDs, and downloads in a number of formats. Please use the dropdown buttons to set your preferred options, or use the checkbox to accept the defaults.
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KAPUSTIN Piano Sonatas Nos 1 & 7 |
April Total duration: A worthwhile jazz-classical fusion! The last two movements are both fast and this creates a problem kalustin balance: On her Yamaha instrument she kapusgin not find quite the range of colour or mood as Steven Osborne. The chromaticism of the harmonic language here draws heavily on jazz, but the absence of a clear tonality means the listener is never quite able to settle.
Front illustration by Julie Doucet b? Skip to main content.
Sonata No 2, Op 54 (Kapustin) – from CDA – Hyperion Records – MP3 and Lossless downloads
Don’t show me this message again. This melody was prefigured in the opening, and but for a certain rhythmic soanta it could almost be a Broadway show tune.
Written in the bright, sanguine key of E major, it is cast in a traditional four-movement mould. Geschrieben in der strahlenden und optimistischen Tonart E-Dur, ist sie in traditioneller Form komponiert.
Der zweite Satz beginnt wie der erste: And when Latin American rhythms are thrown into the mix, it still sounds like little more than a throwback to Ginastera. If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information. There is a central section with more than a hint of rock music to it, before a return to the initial mood.
Such blatant placing of the formal weight at the end sonatw a work is unusual but not unprecedented—Beethoven experimented with this approach in the variations that end his piano sonata Opand it is perhaps no accident that this work also begins like an improvisation, thus emphasising the weight of the last movement.
The site is also available in several languages. In lapustin to the rather slight proportions of the first three movements, the fourth is a full-blown sonata form movement.
He always insists on composing at the piano, in order to avoid coming up with figurations which would not fit the hand well. Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first.